The Nightmare

This is play #81 of my Brief Candles: 100 Very Short Plays. As with "The Fist," I may have posted this playlet before--but I like it and I wanted to see it again. GMD

The play is set in the London studio of painter Henry Fuseli. It is March of 1781, and he is preparing to paint what will come to be seen as his masterpiece—The Nightmare. As the curtain rises, Fuseli is interviewing a young woman who may well serve as the model for what will eventually be the bedevilled, dreaming woman in the painting. The prospective model’s name is Ivy Underling.

Fuseli: How old are you, Miss Underling?

Ivy: Seventeen, sir.

Fuseli (surprised): Is that all? I took you for more.

Ivy (smiling wanly): It’s the deprivation, sir.

Fuseli (uncertain he heard properly): The deprivation?

Ivy (a bit flustered): Oh you know, sir. Doing without and all that. It makes you old pretty quick.

Fuseli: Oh. Yes, I suppose it could.

Ivy (her voice tremulous): What would I have to do if I model for you, sir?

Fuseli (expansive): My dear young woman, the task is simplicity itself! First, you’ll be stretched out full-length on a divan—on your back.

Ivy (alarmed): I won’t be in me altogether, will I sir? I couldn’t do that!

Fuseli (momentarily confused): Your altogether? Oh, you mean naked! No, no, of course not.

Ivy (smiling): That’s a relief then!

Fuseli: In fact you’ll be wearing a sumptous, glowing white dress—like moonlight!

Ivy (shyly): Will I be able to keep it afterwards?

Fuseli: Leep it? Of course not. Besides, what would a young girl like you do with such an elaborate dress?

Ivy (a bit embarrassed): Well, I thought I’d sleep in it, sir.

Fuseli (abstractly): No, no, it’s quite out of the question. I also need you to understand, in addition, that if you do take this job, you will have to put up with a rather large monkey sitting on your chest during the painting process!

Ivy (horrified): A monkey? A real one?

Fuseli (irritated): Yes of course a real one. Where am I going to get a stuffed monkey that big?

Ivy (tremulous): Will it be a tame one?

Fuseli (patiently): Oh yes, it pretty much has to be. Because I have to tie a twisted, grinning mask to its face.

Ivy (suspicious): Just what kind of a painting is this going to be anyhow?

Fuseli (offhand): A work of considerable genius, I imagine.

Ivy (shaken but curious): Does it have a title?

Fuseli (cheerfully): I’m calling it The Nightmare.

Ivy (almost getting interested): Because of the monkey with the evil face??

Fuseli (casually): That, and because of the screaming horse with big popping white, sightless eyes that will thrust its hideous head through the curtains to stare at you while you are lying there pretending to sleep!!

Ivy (finally getting used to this): A real horse?

Fuseli (annoyed): A real horse with white eyes as big as croquet balls??!! Where would I find such an animal? No, I expect I shall have to make him up!! The monkey too, perhaps.

Ivy (picking up her cloak and slipping it on): This is all too bewildering to me. Mr. Fuseli. To be honest, I think you’ll have very little difficulty making me up as well!! Now I’ll take my leave.

Fuseli (incredulous): And miss your chance at immortality??

Ivy (putting on her bonnet): If need be, sir, yes. I suspect immortality just isn’t for me. Good day to you, Sir!
[she leaves the studio]

Fuseli (watching her depart): Young people today! Who can understand them?

(curtain)